those are some toe up socks!

25 05 2010

break out them knitting needles, cause you won’t be able to resist the fantastic sock patterns in toe-up socks for every body by wendy d. johnson. the 21 patterns in the book cover everything for sock knitting including the basics from cast-on, toe, heel, and bind-off options. you’ll also learn how to knit up your own socks with intricate lace, cables, and beautiful colorwork.  projects in the book are perfectly portable for your daily commute or an lazy afternoon. 

but are these patterns are super stylish? yes!  sock knitting is quite addictive, as they are quick projects that you can take virtually anywhere. in these tough economic times, why not start knitting up some handmade socks for all your family and friends to give during the holidays later this year?  patterns in this book span from child to adult, and hey, everyone loves a cozy pair of socks!

tiptoe through the tulips socks and sneaky argyle socks

fair isle socks and critter socks

sanquhar socks and bob and weave socks

 bouquet socks





golf in the garden?

24 05 2010

golf tees can be quite useful in the garden.  in the spring, put tees in the gaps between bulbs so you can fill in the gaps in the fall.

when planting a new perennial, mark it with a tee so you know where it will emerge in the spring.

in the vegetable garden, mark the ends of rows with tees until your seedlings appear so you don’t overplant.

golf tees are inconspicuous to a casual garden admirer, but easy to see if you’re looking for them. they stay in place for several seasons if need be, and they’re easily color coded!





blanket stitch – single, double and whipped

21 05 2010

the blanket stitch is very versatile, and there are a few variations that are easily achievable with a little practice.  the blanket stitch can be done straight, crossed, whipped, closed, and worked long and short. it is a great stitch not just for edgings but also for creating either straight or curved borders.

this stitch is worked from left to right and if it helps, you can draw two parallel lines on the fabric to follow as a guide.  first bring the needle up at 1, down at 2 and up at 3, making sure the thread is looped under the needle. pull through. repeat the next stitch to the right. fasten down the last loop by making a small stitch along the lower line.

blanket stitch – single

blanket stitch – double

work this in exactly the same way as single blanket stitch, only this time work a row of blanket stitches from left to right and then turn the work upside down and stitch another row of blanket stitches. position the ‘teeth’ of the stitch between the ‘teeth’ of the first line as shown in the picture.

blanket stitch – whipped

as with the backstitch, you can whip the lower edge with a contrasting color thread. start at the right side and bring your needle up through the fabric close to the first stitch, and then pass the needle from top to bottom through each of the lower threads without going through the fabric.





favorite felt sweets

20 05 2010

 

beautiful, irresistible and completely calorie-free, these felt treats are as easy to make as they are mouth-watering! detailed, easy to follow directions, as well as life-sized patterns for 106 different projects. felt and basic sewing skills are all that are required to whip up these luscious-looking confections. this book is an english translation of a japanese craft book.

projects include sponge cakes, petit fours, macaroons, almond florentines, chocolates, donuts, cookies, madeleines & more!





wizards and muggles, wizards and muggles

19 05 2010

the wizard is a great new die cutter. not only do the dies made by spellbinders cut, but get this—they emboss and stencil as well!  can this be any more versatile?  in no time at all you’ll be cutting out shapes like a pro.

yep, the wizard is a great tool for scrapbooking, but there’s so much more you can do with it! 

using the big scalloped circles dies (nestabilities), cut out several flowers in two different sizes and colors, and then emboss them all for a more dimensional effect. once several flowers are cut and embossed, these cards are so simple to make: tear some blue paper to fit the card, and then randomly place the red and yellow flower shapes until you get an arrangement you like.  cut some green strips for stems, add a couple of leaves and black-and-white spotty centers, and the word “spring” to the top of the card, and you’re done!

these dies aren’t just for cutting paper…oh no, my friend.  they actually cut felt!  cut two of the larger hot pink flowers, one medium baby pink flower, and a small hot pink flower for the center. sew a pinback onto one of the largest flowers, and then sandwich the two together and stitch them with a blanket stitch.  stitch around the other two shapes, tack them to the back with a couple of stitches in an “x” pattern, and add some leaves, and you’ve got yourself a lovely little pin.  it’d also be cute as a brooch, or pinned to a hat or purse.

the dies also work great for cutting stencils. for this shirt, place four of the scalloped circles on some freezer paper and run them through the wizard. then take the three smaller dies, place them on the other side of the large flower, and run them back through the wizard to repeat the pattern. with the many different dies available from spellbinders, the design possibilities are endless!

spellbinders makes lots of great border dies as well. to make this tag, use the classic scallops border petites, (from the borderabilities line). cut the end of the tag, emboss it, and then use the die to stencil some color on the area. this edge really sets off the steampunk collage on the rest of the tag. this border die can be used to jazz up stationery and all sorts of other paper crafts.

not too bad for a hundred bucks!





west o’ the cascades

18 05 2010

the subtitle of this regional gardening bible is “the complete guide to organic gardening,” and steve solomon brings thirty years of experience and a constantly updated and rewritten body of work (this is the sixth edition!) to a compact and text-driven wealth of information.

chapters are neatly organized in big categories like soil, planning, and seeds.  most valuable section to be the final chapter, how to grow it, which has vegetable varieties arranged alphabetically and gives real, specific hands-on advice on each one.

this book feels more informative than inspiring in certain ways — there are very few illustrations and tables to break up the text. but whether you’re a visual learner or not, it’s a huge and helpful tool for the gardening in the western half of the pacific northwest, and some of the more general advice would probably be very helpful for organic gardeners in any part of the world.





how to avoid staking plants

17 05 2010

while gardening with perennials is a labor of love, most folks like to keep chores to a minimum.  weeding, watering, pruning, planting—these tasks can take a good bit of time, but for the most part, gardening is therapeutic.  and then there’s staking.  a tedious eyesore…there’s nothing worse than when the rhythm of a border’s color and texture is interrupted by obtrusive stakes.

rather than relying on supports to hold up slouches, depend on environmental tactics to keep your plants looking good and standing tall. things like soil, spacing, light, water, and pruning practices not only influence a plant’s leaf and flower production, but also have an impact on its overall stature. by being aware of how these elements play a role in your perennials’ growth and size, you’ll have a garden that can live virtually stake-free for years, and your plants will be happier for it because they will flourish in conditions that suit their needs.

a good balance of organic matter goes a long way

perennials generally thrive in well-drained soil with some organic matter. if your soil lacks these characteristics, it’s time to amend it.  this is sometimes easier said than done for gardeners with challenging soil like clay, but good soil goes a long way in the garden. clay soil is the kiss of death for many perennials because it is difficult for roots to pene­trate and holds too much water, causing roots to rot. likewise, sandy soil can lead to a peren­nial’s demise because it supplies few nutrients and holds little water.

plants grown in less-than-optimal soil often show signs of stress and are unable to support themselves. some perennials prefer clay or sandy soils, so as often as possible, match the right plant to your soil type. most perennials, however, like the good stuff, so amending your soil with organic matter, like composted cow manure, leaf mold, or compost, and a drainage-promoting component, like gravel or perlite, to a depth of at least 12 inches is the way to go. in extreme cases—if you’re gardening on rock or in hardpan, for instance—building a raised bed for perennial plantings is a good alternative. either way, top your plantings off with a thin layer of mulch at planting time to keep roots cool and moist and plants going strong.

unless a soil test tells you otherwise, take it easy on the fertilizer. overfeeding encourages leggy growth, and your plants will flop and require staking. if you do need to fertilize, choose a feed that is low in nitrogen (n) and potassium (k) because these elements are responsible for pushing lots of green growth and metabolizing the nutrients. higher phosphorus (p) is fine because it promotes desired blooms, fruit, and root growth.

precise placement equals peak performance

although it feeds our need for instant gratification, overplanting is another big no-no if you want your plants to perform and stay upright. planting perennials too close together leads to leggy growth as plants search for light, air, and room to grow. be sure to know your plants’ mature size at planting time and space them accordingly.

likewise, the wrong lighting conditions leave perennials out of whack. it may sound like a no-brainer, but you’d be surprised how many plants are grown in the wrong lighting. sun lovers mistakenly placed in too much shade become weak and elongated. before you site your perennials, take note of condition requirements on plant tags or in reference books. a little effort in research in the beginning will save you a lot of effort in staking later on.

finally, don’t forget to consider one of the most overlooked conditions in the garden: wind. this invisible force can wreak havoc on perennials, leaving them flat. avoid placing garden beds in the path of a wind alley. wind can also create microclimates, especially on slopes. if a slope faces south or west, summer winds will wring out the soil, leaving the location dry and hot. conversely, if the slope faces north or east, it will be sheltered from the summer winds, leaving it cool and moist for a longer period of time.

watering deeply and less frequently is best

how and when you water your plants is almost as important as watering them at all. it’s better to water plants deeply with greater spans between intervals rather than shallow and often. deep watering encourages healthy, far-reaching root growth  which stabilizes plants, gets them through dry spells, and promotes strong stems. it’s best to water in the morning hours so that plants have a chance to dry off before evening. wet leaves at night can lead to rampant disease problems.

avoid overwatering. in most cases, too much water causes more problems than lack of water, resulting in sloppy plants that can be top heavy, leggy, soft stemmed, or generally overgrown. plants are weakened and become more susceptible to problems like diseases and insects when they are stressed by factors such as too much water, sun, shade, or lack of air circulation. perennials generally need only an inch of water per week during the growing season.

seasonal pruning can also help get perennials back on their feet. late bloomers and historically floppy plants like asters, boltonias, and sedums can be maintained at a shorter height to avoid the need for staking. simply snip plants back by a third to a half in early summer for a shorter and bushier habit that will have little impact on the bloom. it’s also not a bad idea to stay on top of deadheading. this practice not only encourages more blooms but also promotes bushy growth, removes heavy, spent flowers, and redirects the plant’s energy back to healthy growth rather than to seed production.

occasionally dividing your perennials is another way to avoid the need for staking. if you notice halos (a hollowing out at the center of the perennial’s crown) or splaying, it’s time to divide your perennials. this common technique rejuvenates plants and straightens their posture. plants can be divided in early spring or early fall by lifting the crown with a garden fork, spade, or shovel. you then split the clump into two or three segments, replanting them with adequate spacing. depending on the species, perennials generally benefit from a division every three years or so.

following these strategies is a win-win situation!  your perennials will be happier and healthier, garden visitors get to enjoy a good show, and i you won’t have to spend your time staking.

when all else fails…

no matter what we do, some plants, such as big-flowering peonies or lilies, are going to need to be staked. thankfully, there are many staking options available. just remember—it is always better to put your staking system in place too early rather than too late, when your plant is already a gangly mess.

single stakes, such as bamboo, plastic-coated metal stakes, or even tall metal spirals, are a fairly inexpensive and easy option. often more functional than attractive, these stakes are best camouflaged behind your plants.

pea stakes can bring an attractive, rustic look to the garden. they’re simply forked twigs or branches stuck into the ground to prop up plants. this type of staking usually works best on plants that are no more than 2 feet tall.

cat’s cradles are a good way to stake clumping, multistemmed perennials, although they are time-consuming to build. a cat’s cradle is constructed by placing four or more stakes around the plant and then twine (green is less noticeable) is interwoven around the stakes several inches above the plant to create a grid. the string supports the stems as they grow through the grid.

grids are the modern-day cat’s cradles. these manufactured supports are often made of heavy-gauge wire that is coated with a green epoxy. like the cat’s cradle, plants are supported by this system as stems grow up through the grid. many gardeners like this method because mature plants disguise it well.

cages and tuteurs are a good choice for taller plants and vines. cages have a metal frame that supports the outside of the plant and is quite noticeable. tuteurs are used the same way only they are usually made of wood and have decorative appeal.





buttons…not just for sewing anymore!

14 05 2010

the humble button is typically associated with sewing and other needlework crafts, but it’s become a great addition to many other crafty projects. if you want to add extra dimension, interest and texture to your projects, here are some ideas on how to effectively use buttons.

buttons come in all shapes, sizes, colors, designs, and textures. there are old and vintage buttons, brand new shiny buttons, novelty and fancy buttons, buttons made of varying materials and with different textures, big buttons and small buttons. in fact, there’s a minefield of opportunities out there for creative crafters willing to consider the potential of buttons.

having a simple button (or a collection of many!) on your projects helps provide another area of visual interest. something that would otherwise just be flat is gjven a new dimension, and buttons made of different fabrics, plastic, wood, or shell aid in giving it a new texture.

buttons are great when used on scrapbook pages, on handmade mini books and journals, on handmade cards, handmade bookmarks, in altered art projects or on home décor items. they can be used randomly to add a splash of color, or fit in with the color scheme of your project, or they can be used to create patterns, shapes or designs.

round buttons, for example, make an ideal flower center, or could be used to represent a letter o when you’re spelling out words or names. your imagination is the limit!

finding buttons

if you’re after a specific color or size of buttons for use in a particular project, then the best option may be to buy those particular buttons.  but if you don’t have an exact button type in mind, there are other ways of finding something suitable…and sometimes just having a fancy button generates a spark of an idea for a whole crafting project!

some places you may find buttons include:

  • you may have odd buttons lurking around the house, as spare buttons are often provided when you buy clothing. put all the spares in one place so you can delve in when you need inspiration.
  • look out for old or vintage buttons being sold at markets or fairs.
  • odd buttons are often sold at charity shops and you can find something interesting.
  • mixed packs of multicolored or textured buttons can be found in sewing and craft shops.
  • if you’re getting rid of any old clothing, you could remove the buttons first!
  • all sorts of old buttons can be found if you search through the listings of online auctions, or at  traditional auctions.

securing buttons onto your projects 

there are a variety of ways in which buttons can be safely secured onto your projects. if the buttons you’re using have one, two, three or four holes on the top – as traditional buttons do – you can always use them in the way they’re designed to be used and sew them on to your work. sewing in this way works well with paper, and can make a piece look unusual.

alternatively, if you’d like it to look like it was sewn on (but don’t want the hassle of stitching) you could always thread through a small piece of cotton into the holes, then tie them at the back. the button can then be stuck onto your work instead. all sorts of types of glue will work with buttons, although it does depend in part on what the individual item is made of. as a rough guide, sticky dots, glue sticks, 3d foam, silicone glue, and a good all purpose glue will all work with buttons.

relatively flat buttons work best with the sewing on or gluing methods, but if you have any that need to be secured via a small loop at the back, they can be used too. for example, you could secure them by using headpins (as traditionally used in jewelry making) or by threading them onto a piece of wire or thread and hanging them across your project.

buttons can bring projects to life and are great fun to use, so button up, buttercup!





stitch magazine

11 05 2010

woo hoo! 

from quilting arts comes a 148-page super special issue of stitch magazine! the theme is “sew original” and inside you’ll find exclusive patterns, projects for kids, current trends, and 37 fantastic sewing projects for spring. 

each project includes detailed step-by-step instructions and patterns.

check it out!





judging plant catalogues

10 05 2010

 

 

how can you tell if a mail-order plant catalog company is reputable? 

ask around. gardeners who have dealt with a particular firm will be able to tell you what they think and what their experience has been. the best way to judge a catalog is to look up in several different catalogs a plant you know well. you can learn a lot about companies by how much information they provide, how accurate it is, and how the prices compare.

as a rule of thumb, companies that sell products at a great discount do not offer high quality. the plants they send are often much smaller than you would expect. some upscale catalogs offer exclusive and hard-to-find seeds or plants for which you may want to pay extra money. but if what you are looking for is easy to find, why pay three times what the competition is asking?

how do you know what’s better to order—plant vs. seed? 

perennials are more often bought as plants. but when deciding whether to buy plants or seeds, quantity should influence your decision. if you need a large number of plants and are not in a hurry, it might be preferable to start from seed, even if it is more complex, or to buy a few plants to divide. however, some perennials—peonies, for instance—are not usually grown from seed because they do not come true from seed or take too long to reach blooming time. these you buy as plants either at a nursery or garden center (or by catalog if you cannot find them locally). it is up to you to make sure the plants you buy from a faraway place are hardy in your area.

for annuals, check how much time it takes for a plant to go from seed to bloom. at home and without specialized equipment, it is not usually easy to start tender annuals that have to grow for months before blooming, such as petunias or geraniums . hardier annuals such as nasturtiums or marigolds are much better seeded than bought as plants. they can be grown where you want them to bloom, their growth will not be checked by the shock of transplanting, and you will save money. for the same reason, biennials, such as foxgloves or canterbury bells are better started from seed.  there’s not much difference between bulbs bought locally or from catalogs.

what’s better to buy from…a catalog or a garden center? 

in general, it is preferable to buy plants locally: you can see what you are getting, the plant is normally much larger, and it doesn’t tend to suffer in transportation. buy from a catalog when what is being offered is not available locally.





chilled cucumber soup

9 05 2010

cucumbers are native to asia, where they have been eaten for thousands of years. they contain a great deal of water, which makes them particularly refreshing in the hot summer months. when choosing cucumbers, avoid the waxed variety sold in grocery stores year-round, and instead seek out the long, thin-skinned english or hothouse variety. it has a superior flavor, less water and far fewer seeds. three lemon cucumbers can be substituted for the single english (hothouse) cucumber, if you like.

ingredients:

  • 3 cups plain yogurt
  • 1 large english (hothouse) cucumber, peeled, halved, seeded and coarsely grated, plus 6 paper-thin cucumber slices with skin intact for
    garnish
  • 2 garlic cloves, minced
  • 1 tbs. extra-virgin olive oil
  • 1 1/2 tbs. chopped fresh mint
  • 2 1/2 tbs. chopped fresh dill, plus 6 dill sprigs for garnish
  • 2 cups milk
  • 3 tbs. white wine vinegar or fresh lemon juice
  • salt and freshly ground pepper, to taste

directions:

line a sieve with cheesecloth and place over a large bowl. spoon the yogurt into the sieve and let drain in the refrigerator for 4 hours. discard the captured liquid and place the yogurt in the bowl.

add the grated cucumber, garlic, olive oil, mint, chopped dill and milk and mix well. stir in the vinegar. cover and refrigerate for 1 hour.

before serving the soup, season with salt and pepper. ladle into chilled individual bowls and garnish each serving with a cucumber slice and a dill sprig. serve well chilled.

serves 6.





summer vegetable gazpacho

8 05 2010

the weather is warming up, so this weekend will be the last of my soup recipes until soup weather rolls around again.

as a nod to the warmer months, here’s a delicious recipe for one of my favorite chilled soups, gazpacho. 

in spain, the vegetables for this chilled soup are traditionally warmed in the summer sun, to release their flavors.

it is also common to season the soup with a little of the famed local smoked paprika.

ingredients:

  • 2 cups young balsamic vinegar
  • 2 lb. ripe tomatoes
  • 1 english (hothouse) cucumber
  • 1 red onion
  • 1 yellow bell pepper
  • 1 red bell pepper
  • 3 slices day-old sourdough french bread, crusts   removed and torn
  • 3 cups tomato juice
  • 2 garlic cloves, minced
  • 3 cups vegetable broth
  • 2 tbs. extra-virgin olive oil, plus more for garnish
  • 1 tbs. mild smoked spanish paprika
  • 1 tsp. ground cumin
  • coarse salt and freshly ground pepper, to taste
  • 2 tbs. finely shredded fresh cilantro
  • 2 tbs. finely shredded fresh mint
  • 1 tbs. finely chopped lemon zest

directions:

pour the vinegar into a small saucepan and place over low heat. bring to a gentle simmer and cook until reduced to 1/2 cup, about 1 1/2 hours. the vinegar will have become syrupy. remove from the heat and let cool to room temperature. transfer the syrup to a small bowl, cover and refrigerate until ready to use. for this recipe, you will need 2 tbs. plus more for drizzling; reserve the remainder for another use. (the balsamic syrup will keep, tightly capped, for up to 1 month.)

peel, seed and finely chop the tomatoes and cucumber. finely chop the onion. seed and finely chop the bell peppers. in a large, nonreactive bowl, combine the bread slices and 1/2 cup of the tomato juice and let stand for 10 minutes. stir in the tomatoes, cucumber, onion, yellow and red bell peppers, garlic, broth, the remaining 2 1/2 cups tomato juice, the 2 tbs. olive oil, the 2 tbs. balsamic syrup, the paprika and cumin, mixing well. season with salt and pepper. cover loosely with plastic wrap and let stand at room temperature for 1 hour to blend the flavors.

transfer 4 cups of the tomato mixture to a blender and process until smooth. return the pureed mixture to the bowl, stirring well. cover and refrigerate until chilled, at least 4 hours or up to 24 hours.

when ready to serve, in a small bowl, stir together the cilantro, mint and lemon zest. ladle the soup into chilled bowls and sprinkle each serving with an equal amount of the shredded herb mixture. drizzle a little olive oil and balsamic syrup over each serving.

serves 6.





how to buy the best plants

7 05 2010

walking into a nursery knowing you want to buy some ‘moonbeam’ coreopsis is easy. but do you want the short, full plant or the tall, thin one? another is loaded with flowers; it must be the one to take. but the one next to it has many more stems.  plant selection can be so confusing!

buying plants doesn’t have to be a daunting task!  before buying, evaluate the nursery or garden center; check the leaves, branches, trunks, and roots of plants; and ask questions!

evaluate the seller

not every enterprise selling plants is truly a nursery, which is a place where plants are grown. many garden centers, for example, are really merchandisers. they buy the plants from growers and resell them to you. both nurseries and garden centers can vary greatly in quality, so before evaluating the plants, consider evaluating the places selling them.

appearance is the first thing you notice about a garden center or nursery, and it is the first indication of quality. proprietors meticulous about their nursery are probably meticulous about their plants as well. are the blocks of plants neatly laid out? are the aisles clear of debris with few plants lying down or doing poorly? are the planting pots free of weeds? some disorder is inevitable, but an untidy appearance overall indicates inattention. when visiting a garden center or nursery, do judge, in part, by its appearance. it is telling.

after appearance, look at prices. but keep in mind that it is not necessarily low prices that you want to see. if prices are low across the board, buying practices may be based on cost alone. your evaluation of plants is then particularly important.

among the most valuable attributes of plant providers are their knowledge and experience, which you learn about only by asking questions. often, a nursery or garden center is run by a horticulturist and staffed by knowledgeable personnel. find out if anyone on staff is state-certified or has attended horticultural school, and find out what experience they have. if the nursery provides planting services, they most likely purchase quality material and care about the plants they sell.

most of us frequent the nursery or garden center nearest our homes, unaware of others not much farther away. yet they can differ so greatly that we owe it to ourselves to find those that have gone the distance to provide quality and variety. it is a wonderful thing to have a long-term relationship with a nursery you value and with the people who work there. it becomes part of the whole gardening experience, and really, an invaluable part.

start with the sturdiest specimens

even at the best nurseries and garden centers, plant quality will vary. plants of the same species may come from different growers, have been handled or cared for differently, and have individual characteristics…so careful evaluation is important.

first, look for full form and even development. check for insect damage and disease, avoiding those with infested, mottled, spotted, or otherwise damaged leaves. look for abundant foliage with good, rich color. with flowering plants, select those with plenty of well-distributed buds or blossoms. and if plants are already blooming, select those with the clearest, richest hues.

unless it’s late in the season, check for new growth—the surest indication of inner vitality. a plant out of proportion to its container may be root bound. feel the pot to see if roots are hard and compacted. all else being equal, select plants in containers free of weeds, as weeds compete with plants for nutrients in the soil.

roots count most in buying annuals

growers know that color sells, and often dose flats of annuals with high phosphorus and potassium fertilizers to bring out the bloom in immature plants. we tend to grab the flat showing the most color, but it’s best to look past the blooms and scan the plants for even size and good foliage color.

also, check how well each plant fills its allotted space. the best annuals are well developed and firmly, but lightly, rooted. pop a plant from its cell. ideally, you should see a mix of roots and soil. if you see a solid mass of white, fibrous roots, the plant is too heavily rooted. some of these roots will need to be cut away before planting, which could set the plant back a bit. if the plant doesn’t pop from the cell and soil spills out, or if the plant seems small in its cell and is completely surrounded by soil, it is probably not sufficiently rooted.

select shrubs with compact growth

when evaluating a group of shrubs, look for plants that are heavily branched on all sides. be sure you are comparing plants of the same genus. for instance, a viburnum will carry many more branches than, say, a mop-head hydrangea. generally, the shrub that is more compact is the better grown and has received the most light.

however, size is not always the best indicator of health. it’s important to ask how old the shrub is and where it was grown. a year-old rhododendron grown in the chilly northeast may be smaller than a year-old rhododendron grown in southern california.  a locally grown shrub will most likely be the best adapted for your area.

often shrubs are picked up by the branches and may show some leaf loss from handling. don’t worry about a few lost leaves as long as the branches are not also split and broken. some yellowing in the center of a shrub or on the larger leaves is normal. even broad-leaved evergreens, such as mountain laurel, rhododendron, and the like, do drop leaves. but if it is also close to bloom time and the buds seem very tight, there may be a problem with the plant.

look for evenly developed trees

in selecting trees, form is particularly important. the canopy should be attractive and evenly developed, indicating the tree was grown out in the open with ample room. trees grown too close together show one side with dead branches, fewer branches, or no branches at all. problems in the roots often show up as tip dieback, usually caused by a lack of watering.

if the tree is balled and burlapped, make sure roots have not been damaged by rough handling. if you pull gently on the trunk and the tree moves easily, but the root ball doesn’t, or if the root ball is broken, select another tree. avoid trees with oozing sap, broken branches, recent wounds to the trunk, dull foliage, and fissures in the bark. as with broadleaved plants, some browning and dropped foliage will occur in needled trees. as long as the dropped leaves are accompanied by new shoots, there is no problem.

perennials should show new growth

the most important quality to seek in perennials and grasses is an abundance of new growth, which is assurance of a robust plant. dieback in the center or around the edges of the plant indicates root loss, so look for a plant that’s growing evenly with fresh tips and new shoots.

perennials and grasses are priced by the container size, usually indicative of root growth. since perennials regrow each year from their roots, this is key. garden centers sell the plants they buy without repotting them. nurseries will repot a plant to a larger container when its roots have developed sufficiently and will raise the price accordingly. if the plant seems small for the container, ask the nursery owner if it was transplanted recently.

you might as well pay the smaller container price if you are getting a smaller root system!





flower children, unite!

6 05 2010

here are detailed step-by-step instructions and illustrations for making a range of lively, creative flower figures sewn from felt, silk, fabric and wool.  projects are organized by season, making the book ideal for decorating a nature corner or seasonal table in the home or classroom. a floris book, by sybille adolphi.  the directions can be a little confusing. it does help if you have some dollmaking experience and are familiar with the supplies and techniques, because the directions may be a little confusing for a beginner.

and just when you thought it couldn’t get any better….

oh yeah.





sad-o de mayo

5 05 2010

fifteen years

and i can hardly take your ashes

out of the closet

without crying like a newborn

slapped on the ass

by a drunk doctor late for golf

and handed over

to the cruelest of mothers

who gives another slap

just for good measure

fifteen years

of dreaming about your face

and seeing your sweet eyes

and rushing to prepare you dinner

because i realize it’s been too long

since we last ate together

and then i wake up

without you next to me

i wake up

with tears in my eyes

crying like a newborn








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